La
Mandrágora (The Mandrake) Group
Primarily
a Chilean Surrealist group, La Mandrágora was officially founded on July 12,
1938 by Braulio Arenas, Teófilo Cid, and Enrique Gómez Correa. The group had
previously met in Talca, and first started close communication with each other
in 1932.
The group published a review of seven
issues, the last being edited in October 1943 and published an anthology of
poetry, El A, G, C de la Mandrágora, which included works by all the founders
except Cid.
One of the main figures who introduced
Surrealism to Chile, Vicente Huidobro (1893-1948), who himself formed the
Creationist literary movement, was influential to them, and shared in many of
their projects.
"Much like the French Surrealists, Mandrágora was a collective, which sought to change the world through the celebration of love through the exploration of the unconscious as it manifests in dreams and in madness."
Part of their theories, in fact, were
based on Gómez Correa’s research at the mental asylum of Santiago in
preparation for his doctoral dissertation, Sociology of Madness.
Other figures who soon joined the group
included Gonzalo Rojas (1917-2011), the young 15 year-old Jorge Cáceres, Ferndo
Onfray, Gustavo Osorio, Pablo de Rokha, the Venezuelan poet Juan Sánchez
Peláez, as well as the painters Eugenio Vidauuázaga and Mario Urzú and the
musicians Renato Jara, Alejandro Gaete and Mario Medina.
The group had a major impact of Chilean
modernism, and much of their poetry still seems fresh and experimental even
today.
Zeller and his wife Beatriz Zeller have
translated much of their work into English, which is published in Zeller’s
anthology The Invisible Presence: Sixteen Poets of Spanish America 1925-1995,
which also includes Surrealists from several South American countries whose
work lies outside of the Mandrake group.
—Douglas
Messerli
No comments:
Post a Comment