John
Wieners (USA)
1934-2002
Born
on January 6, 1934 in Milton Massachusetts, John Wieners attended elementary
school in Dorchester in that state, and graduated from Boston College High
School. From 1950 to 1954, Wieners attended Boston College, from where he
received an A.B.
In 1954, Wieners attended a Beacon Hill
poetry reading at the Charles Street Meeting House, where first heard and
encountered Charles Olson. The event encouraged him to enroll at Black Mountain
College in North Carolina, where he studied with Olson and the poet Robert
Duncan from 1955-1956.
Returning to Boston, he worked as an actor
and stage manager at the Poet's Theater in Cambridge, while he began edition
the magazine Measure.
From 1958 to 1960 Wieners moved to San
Francisco, actively participating in the San Francisco Poetry Renaissance, a
period commemorated in Wieners' poetic journal 707 Scott Street, a
manuscript which remained unpublished until Sun & Moon Press released it in
1996.
Although much of Wieners experiences were
joyful, during the same period he was heavily under the influence of drugs and
lived in dire poverty, experiences that underlie his first stunning collection
of poetry, The Hotel Wentley Poems of 1958, published when Wieners was
24 years of age.
Returning to Boston in 1960, Wieners was
committed for a period to a psychiatric hospital. In 1961, he moved to New York
City, working at the then-famed Eighth Street Books as an assistant bookkeeper
from 1962-1963. During this period, he lived with writer and counter-culture
figure Herbert Huncke on the Lower East Side.
In 1963 Wieners returned yet again to
Boston, working as a subscriptions editor for the Jordan Marsh department
stories until 1965. His second of poetry, Ace of Pentacles, was
published in 1964.
After traveling to the Spoleto Festival
and the Berkeley Poetry Conference with Olson in 1965, Wieners enrolled in the
Graduate Program at SUNY Buffalo, working as a teaching fellow under Olson
until 1967, the year which his book, Pressed Wafer was published.
In the spring of 1969, Wieners was
institutionalized, a time in which he composed Asylum Poems, published
later that year. Another book of poetry, Nerves, containing work from
1966 to 1970, was published the following year.
During the 1970s, Wieners became active in
educational and publishing cooperatives, involving himself in politics and,
particularly, in the gay liberation movement. It was during this period that he
moved into his famous Boston address on 44 Joy Street on Beacon Hill, where he
lived the rest of his life.
His influential Selected Poems was
published in 1972 and Behind the State Capitol or Cincinnati Pike appeared in
1975, but after this period Wieners remained isolated from the public eye for
at least ten years, a period during which publisher and editor Raymond Foye
often financially helped him, while, locally, friends such as Jim Dunn cared
for him.
In 1986 Foye edited a new Selected Poems: 1958-1984 and edited a new book, Cultural Affairs in Boston: Poetry & Prose: 1956-1985, published in 1988. In 1999, celebrating an exhibit by the painter Francesco Clemente at the Guggenheim Museum, Wieners gave one of his last public readings. A collaboration between the two, Broken Woman, was published as well.
On an evening in late February 2002, after
attending a party for his friend Charley Shively, Wieners collapsed on a Boston
street where he was discovered by strangers and taken to Massachusetts General
Hospital. Tracing a piece of paper to Jim Dunn, the police notified the friend,
who with others rushed to the Hospital, where he died on March 1.
Two books have been published
posthumously, including a book, Kidnap Notes Next, ed. by Dunn, in 2002
and A Book of Prophecies in 2007.
BOOKS
OF POETRY
The
Hotel Wentley Poems
(Auerhahn Press, 1958); Of Asphodel. In Hell's Despite (1963); Ace of
Pentacles (New York: James F. Carr and Robert A. Wilson, 1964); Chinoiserie
(San Francisco: Dave Haselwood, 1965); Pressed Wafer (Buffalo, New York:
Gallery Upstairs Press, 1967); A Letter to Charles Olson (Samuel
Charters, 1969); Asylum Poems (New York: Angel Hair Books, 1969); Youth
(New York: Phoenix Book Shop, 1970); Nerves (London: Cape Goliard Press,
1970); Selected Poems (New York: Grossman Publishers, 1972); Playboy
(Boston: Good Gay Poets, 1972); Woman (Canton, New York: Institute of
Further Studies); The Lanterns Along the Wall (Brooklyn: Other
Publications, 1972); Hotels (New York: Angel Hair Books, 1974); Behind
the State Capitol: or Cincinatti Pike (Boston: Good Gay Poets, 1975); Selected
Poems: 1958-1984, ed. by Raymond Foye (Santa Barbara, California: Black
Sparrow Press, 1986); Cultural Affairs in Boston, ed. by Raymond Foye
(Santa Barbara, California: Black Sparrow Press, 1988); 707 Scott
Street (The Journal of John Wieners is to be called 707 Scott Street for Billie
Holiday, 1959) (Los Angeles: Sun & Moon Press, 1996); Kidnap Notes
Next: Selected Notebook Entries 1988-1999, ed. by Jim Dunn (Boston: Pressed
Wafer, 2002); Book of Prophecies, ed. by Michael Carr (Lowell,
Massachusetts: Bootstrap Press, 2007)
For
a selection of poems originally
appearing in Douglas Messerli, ed. From the Other Side of the Century: A New
American Poetry 1960-1990 (Los Angeles: Sun & Moon Press, 1992), click
below:
http://www.greeninteger.com/pdfs/wieners_poems.pdf
For
a wide selection of poems read by John Wieners, see his PENNSOUND page by
clicking below:
http://writing.upenn.edu/pennsound/x/Wieners.php
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