Peter Gizzi (USA)
Born in Alma, Michigan on August 7th, Peter Gizzi grew up in Pittsfield, Massachusetts. After taking three years off after high school to work in a factory and to help with emotionally disturbed adolescents, he saved money to travel abroad and eventually moved to New York City, where he waited tables and earned his B.A. in Classical Literature from New York University. He also holds degrees from Brown University and The State University of New York at Buffalo.
In 1994 he was awarded the Lavan Younger Poet Award by the Academy of American Poets, and he has received fellowships from the Howard Foundation (1998), The Foundation for Contemporary Performance Arts (1999), and The John Simon Guggenheim Memorial Foundation (2005). He has held residences at The MacDowell Colony, The Foundation of French Literature at Royaumont, and the Centre International de Poesie Marseille.
He was the editor of o•blek: a journal of language arts, The Exact Change Year Book and The House That Jack Built: The Collected Lectures of Jack Spicer.
He has served on the faculty at Brown University (1993-1994), the University of California, Santa Cruz (1995-2001), the Jack Kerouac School of Disembodied Poetics at Naropa (1998), and The University of New Orleans Summer Program in Madrid (2004). He currently teaches at the University of Massachusetts at Amherst.
BOOKS OF POETRY
Creeley Madrigal (Providence, Rhode Island: The Materials Press, 1991); Music for Films (Providence, Rhode Island: Paradigm Press, 1992); Periplum (Penngrove, California: Avec Books, 1992); Hours of the Book (Gran Canaria, Spain: Zasterle Press, 1994); Ledger Domain (Providence, Rhode Island: Timoleon, 1995); New Picnic Time (Buffalo, New York: Meow Press, 1995); Artificial Heart (Providence, Rhode Island: Burning Deck, 1998); Add This to the House (Cambridge, England: Equipage, 1999); Château If (Paris, France: Slacik editions, 2000); Revival (New Haven, Connecticut: Phylum Press, 2002); Fin Amor (Oakland, California: Tougher Disguises, 2002); Some Values of Landscape and Weather (Middletown, Connecticut: Wesleyan University Press, 2003); From a Cinematographer’s Letter (London, England: Tolling Elves, 2004); Periplum and Other Poems 1987-2002 (Cambridge, England: Salt Publishers, 2004); A Panic That Can Still Come Upon Me (Brooklyn: Ugly Duckling, 2006); The Outernationale (Middletown, Connecticut: Wesleyan University Press, 2007); Homer’s Anger (Paris: Collectif Generation, 2009); In Song & Story (Amsterdam: Tungsten Press, 2010); Pinocchio’s Gnosis (Northampton, Massachusetts: Song Cave, 2011); History Is Made at Night (Cincinnati: Students of Decay, 2011); Threshold Songs (Middletown, Connecticut: Wesleyan University Press, 2011); Ode: Salute to the New York School 1950-1970 (Tucson: Letter Machine, 2012); In the Air (Los Angeles, Manor House, 2013); Marigold & Cable (Saint-Martin, France: Shelter Press, 2014); In Defense of Nothing: Selected Poems 1987 –2011 (Middletown, Connecticut: Wesleyan University Press, 2014); Vincent, Homesick for the Land of Pictures (Rotterdam: Studio 3005, 2015); The Winter Sun Says Fight (Plymouth, UK: Periplum Editions, 2016); Marigold & Cable: A Garland for the New Year (Cambridge, UK: Materials, 2016); A Winding Sheet for Summer (Amsterdam: Tungsten Press, 2016); Field Recordings (Cambridge, UK: Equipage Editions, 2016); Archeophonics (Middletown, Connecticut: Wesleyan University Press, 2016); New Poems (Kingston, New York: The Brother in Elysium, 2017); The Afterlife of Paper (Los Angeles, Catalpa, 2019); Ship of State (Kingston, New York: The Brother in Elysium, 2020); Sky Burial: New and Selected Poems (Manchester, UK: Carcanet, 2020); Now It’s Dark (Middletown, Connecticut: Wesleyan University Press, 2020)
╬Winner of the PIP Gertrude Stein Awards for Innovative Poetry in English
The Moonlight Defense
Why shouldn’t it begin at midnight
when the doorman is asleep in his lodge
and the spinning chrysalis in perfect equanimity
with earth, slippers under the chair,
toothbrush back on its thingy.
If tomorrow were promise, then tonight is real.
Let us pray before the bearded poplar
morphing in up-late celestial wonder.
Celestial wonder inscribed on sleeping lids.
I wander through doors and cascade in noise.
Libraries tower in their occult light.
Yes, solar wind, now windows bloom,
the body waves beyond itself.
Not all speech unuttered equals silence
nor a dropped curtain signals an end.
There are sudden days, every animal secure
in one virtue. The bedrock vision
and the road unraveling, gentle traveler,
the great thing is about to begin.
Reprinted from Bomb, no. 93 (Fall 2005). Copyright ©2005 by Peter Gizzi.
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